2016年6月21日 星期二
WEEK 17 文導筆記
1. Information
William "Willy" Loman is a fictional character and the protagonist of Arthur Miller's Death of a Salesman, which debuted on Broadway with Lee J. Cobb playing Loman at the Morosco Theatre on February 10, 1949. Loman is a 63-year-old travelling salesman from Brooklyn with 34 years of experience with the same company who endures a pay cut and a firing during the play. He has difficulty dealing with his current state and has created a fantasy world to cope with his situation. This does not keep him from multiple suicide attempts.
b. Death of a Salesman
Death of a Salesman is a 1949 play written by American playwright Arthur Miller. It was the recipient of the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. The play premiered on Broadway in February 1949, running for 742 performances, and has been revived on Broadway four times, winning three Tony Awards for Best Revival. It is widely considered to be one of the greatest plays of the 20th century.
c. Arthur Miller
Arthur Asher Miller was a prolific American playwright, essayist, and prominent figure in twentieth-century American theatre. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman is often numbered on the short list of finest American plays in the 20th century alongside Long Day's Journey into Night and A Streetcar Named Desire.
Miller was often in the public eye, particularly during the late 1940s, 1950s and early 1960s. During this time, he was awarded the Pulitzer Prize for Drama; testified before the House Un-American Activities Committee; and was married to Marilyn Monroe. He received the Prince of Asturias Award and the Praemium Imperiale prize in 2002 and the Jerusalem Prize in 2003, as well as the Dorothy and Lillian Gish Lifetime Achievement Award.
2. extra information
a. Catch me if you can
Catch Me If You Can is a 2002 American biographical crime film, based on the life of Frank Abagnale, who, before his 19th birthday, successfully performed cons worth millions of dollars by posing as a Pan American World Airways pilot, a Georgia doctor, and a Louisiana parish prosecutor. His primary crime was check fraud; he became so experienced that the FBI eventually turned to him for help in catching other check forgers.
b. Two Little Mice
Christopher Walken
Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.
c. Waiting for Godot
Waiting for Godot is an absurdist play by Samuel Beckett, in which two characters, Vladimir and Estragon, wait endlessly and in vain for the arrival of someone named Godot. Godot's absence, as well as numerous other aspects of the play, have led to many interpretations since the play's 1953 premiere. Waiting for Godot is Beckett's translation of his own original French version, En attendant Godot, and is subtitled (in English only) "a tragicomedy in two acts". The original French text was composed between 9 October 1948 and 29 January 1949. The première was on 5 January 1953 in the Théâtre de Babylone, Paris. The English language version was premiered in London in 1955; this version was voted "the most significant English language play of the 20th century".
d. A Psalm of Life
The poem, written in an ABAB pattern, is meant to inspire its readers to live actively, and neither to lament the past nor to take the future for granted. The didactic message is underscored by a vigorous trochaic meter and frequent exclamation. Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance".
Part of poem :
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;
Footprints, that perhaps another,
Sailing o’er life’s solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.
Let us, then, be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and wait.
e. Divergent
The story takes place in a dystopian and post-apocalyptic Chicago where people are divided into distinct factions based on human virtues. Beatrice Prior is warned that she is Divergent and thus will never fit into any one of the factions. She soon learns that a sinister plot is brewing in her seemingly perfect society.
3. prefix, root and suffix
mend : fix; repair eg. amendment
amendment (n.) a change made to a law or agreement
2016年6月17日 星期五
WEEK 16 文導筆記
1. Information
Hermia loves Lysander, but her father, Egeus, wants her to marry Demetrius. Hermia's refusal of her father's command would result in her death sentence or residence at a nunnery by Athenian law. Lysander and Hermia flee into the forest; on the way meeting Demetrius' former fiance and Hermia's best friend Helena, whom Demetrius abandoned to woo Hermia. Helena still hopelessly in love, but Hermia tells her not to worry, as Lysander and she will elope and Demetrius will no longer see her face. Helena confides Demetrius, in hope that he will realize her love for him if she tells him the truth, but Demetrius pursues Hermia and Lysander into the forest with Helena in pursuit.
b. Act V, Scene 1
Robin
If we shadows have offended,
Think but this, and all is mended—
That you have but slumbered here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend.
If you pardon, we will mend.
And, as I am an honest Puck,
If we have unearnèd luck
Now to ’scape the serpent’s tongue,
We will make amends ere long.
Else the Puck a liar call.
So good night unto you all.
Give me your hands if we be friends,
And Robin shall restore amends.
c. Act 4, Scene 1
Bottom
I have had a most rare vision. I have had a dream past the wit of man to say what dream it was. Man is but an ass if he go about expound this dream. Methought I was—there is no man can tell what. Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream. It shall be called ‘Bottom’s Dream’, because it hath no bottom. (雙關→ 沒有底線)
c. Act 3, Scene 2
Puck (also known as Robin)
Captain of our fairy band,
Helena is here at hand,
And the youth, mistook by me,
Pleading for a lover's fee.
Shall we their fond pageant see?
Lord, what fools these mortals be!
Helena is here at hand,
And the youth, mistook by me,
Pleading for a lover's fee.
Shall we their fond pageant see?
Lord, what fools these mortals be!
→ Puck makes this declaration in his amazement
at the ludicrous behavior of the young Athenians (III.ii.115).
This line is one of the most famous in A Midsummer Night’s
Dream for its pithy humor, but it is also thematically
important: first, because it captures the exaggerated silliness
of the lovers’ behavior; second, because it marks the contrast between
the human lovers, completely absorbed in their emotions, and the
magical fairies, impish and never too serious. (Sparknotes)
Helena
Love can transpose to form and dignity.
Love looks not with the eyes but with the mind.
And therefore is winged Cupid painted blind.
Nor hath Love’s mind of any judgment taste—
Wings and no eyes figure unheedy haste.
And therefore is Love said to be a child,
Because in choice he is so oft beguiled.
2. extra information
a. Prince charming
Prince Charming is a stock character who appears in some fairy tales. He is the prince who comes to the rescue of the damsel in distress, and stereotypically, must engage in a quest to liberate her from an evil spell. This classification suits most heroes of a number of traditional folk tales, including "Snow White", "Sleeping Beauty" and "Cinderella", even if in the original story they were given another name, or no name at all.
These characters are often handsome and romantic, a foil to the heroine, and are seldom deeply characterized, or even distinguishable from other such men who marry the heroine. In many variants, they can be viewed more as rewards for the heroine rather than characters. The prominence of the character type makes him an obvious target for revisionist fairy tales. "Prince Charming" is also used as a term to refer to the idealized man some people dream of as a future spouse.
b. Shakespearean dating tips
Shakespeare's romantic language in Romeo and Juliet
" She doth teach the torches to burn bright."
" So shows a snowy dove trooping with crows."
" For thou art as glorious to this night, being o'er my head, as is a winged messenger of heaven."
" This holy shrine, the gentle sin is this: My lips, ready to stand to smooth that rough touch with a tender kiss."
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